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Baroque trumpet repertoire
Baroque trumpet repertoire







baroque trumpet repertoire

  • Shorter phrases separated with frequent short breaks, as well as occasional longer breaks.
  • But I find this a useful way of categorizing trumpet techniques and different kinds of playing into how tiring they are for the player. Of course, this is highly subjective, and each player has his or her own limits of endurance.

    baroque trumpet repertoire

    If there is a compelling reason for pushing these limits, then by all means go for it – and if you have the luxury of knowing a trumpet player who could help test some tricky passages, then all the better! Levels of “strenuousness”Īs a trumpet player, I often categorize repertoire and different kinds of playing in terms of their “strenuousness”. But in no way should these guidelines stifle creativity: new music can and should push boundaries.

    baroque trumpet repertoire

    Of course, these guidelines are just that – a guide to trumpet writing that keeps within the physical limits of the performer and their instrument, and helps avoid writing that completely exhausts your player. The extreme high register, from c’’’, should be used very sparingly.Any virtuosic or strenuous material, as well as passages where the trumpet is “featured”, should be preceded and followed by rests.Firstly, as a general rule, writing shorter phrases with frequent rests gives the performer the physical and mental preparation time they need.

    #Baroque trumpet repertoire professional

    However, composers should bear in mind that even professional players tire easily, and that their piece might not be the only piece on the program. Trumpet players have to train these muscles daily to stay at the top of their game. The embouchure required for trumpet playing requires a set of delicate muscles in the face, lips and tongue. There are, however, a few basic guidelines which make the job of the trumpeter a lot easier. Despite my own experience as a performer playing a whole lot of great new music for the trumpet, I still find endurance to be one of the more difficult concepts to explain to composers in a useful way. Central to this is the issue of endurance. In my experience, this usually stems from a misunderstanding of what is possible and realistic for trumpeters. One of the most common complaints from trumpeters about contemporary music is an apparent lack of consideration for their physical limitations. Endurance is an issue that virtually all brass players have struggled with since they first picked up their instrument, and one that continues to challenge them in their professional careers.









    Baroque trumpet repertoire